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New PDF release: Arts, Inc.: How Greed and Neglect Have Destroyed Our

By Bill Ivey

ISBN-10: 0520241126

ISBN-13: 9780520241121

In this impassioned and persuasive ebook, invoice Ivey, the previous chairman of the nationwide Endowment for the humanities, assesses the present kingdom of the humanities in the United States and unearths reason for alarm. whilst he celebrates our ever-emerging tradition and how it enriches our lives the following at domestic whereas spreading the dream of democracy worldwide, he issues to a looming problem. The increasing footprint of copyright, an unconstrained arts market, and a central authority unwilling to have interaction tradition as a major area for public coverage have come jointly to undermine paintings, artistry, and cultural heritage—the expressive lifetime of the United States. In 8 succinct chapters, Ivey blends own memoir, coverage research, and deeply held convictions to discover and outline a coordinated imaginative and prescient for paintings, tradition, and expression in American life.

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Extra info for Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights

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It shouldn’t be all that surprising that public policy in the United States has never caught up with the reality of our arts scene. · · · · · Cultural rights are the key to bringing the public interest back into America’s creative life. In the United States today the idea that a blogger, soccer mom, and weekend guitar player need to fight for “cultural rights” may seem novel, even counterintuitive. After all, culture is all around us—music on the radio, movies on cable television, ringtones on phones, TV clips on iPods, the design of a favorite sports car—easy to find when we want it; just as easy to ignore.

The notion of participation was reshaped—its sense of doing replaced by passive activities like purchasing a recording or attending a concert or exhibition. If we think of expressive life as split between the culture we take in and the culture we create, the commoditization of emerging art forms pumped up the taking in (consumption) at the expense of making art. ” Music education responded: If participation now means consumption, well, we’ll nurture well-schooled discerning consumers. School music shifted from teaching young people to make music (mostly through ensemble singing) to something more like the intelligent enjoyment of music—what came to be known as music appreciation.

Corbis is aware of the unique value of the photograph; it was among the first Bettmann images digitized. Preset rates have been established by Corbis for a number of easily anticipated uses of the shot, and standard licenses can be secured with online efficiency. However, when a project is outside the scope of prepriced uses, the licensing fee becomes a matter of what the traffic will bear. For a company like Corbis, the going price for a particular use is determined by the character of the image itself in relation to the perceived commercial potential of a specific use: People magazine pays more than the Journal of American History, and the JFK Jr.

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Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights by Bill Ivey

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